Writing through Familiarity Blindness

Oak leaves are falling and a few yellow sweet gum stars as well. But the temperature was in the low 90’s (32°C) over the weekend, and it seemed silly to hang my autumn wreath and put out pumpkins on the front porch. The Weather Channel tells me cooler air will arrive next week. I hope they make good on their promise.

I developed a fresh appreciation for the asphalt-melting heat here in Georgia when my family and I vacationed in Seattle a few years ago. It was August, but we shivered as we piled into the rental car and set the heat on High. We drove to Mt. Rainier and marveled at the patches of snow. Even in winter, it hardly ever snows in middle Georgia.

Turns out, other places are different.

They don’t serve grits in Maine. And I didn’t see a shred of Spanish Moss in Arizona. For all its glorious wildlife, alligators don’t live in Yellowstone. And when the thermometer reaches 45°F here in the South, and I shiver and complain because I’m freezing, I realize I don’t know what cold is.

I’ve written before about Writing What You Don’t Know. But writing what you know is not always easy.

lovebugs
lovebugs, photo by Daniel McLendon

How do you describe a place that is so familiar, you take its idiosyncrasies for granted? Sometimes, I’m blind to the details which make my region unique. Peculiarities such as fried okra, syrupy-sweet tea, and lovebugs.

So here are a few tricks that help me write about my home. Maybe they’ll help you, too:

  1. Travel: Visit other places and note the differences.
  2. Take photographs: If you’re having difficulty seeing anything remarkable about your setting, a photo may help. It places distance between you and the real thing. Sometimes you’ll see things you hadn’t noticed before.
  3. Interview people who live outside your region: Ask them what is odd or unique to your home. What is amusing? Annoying? What do they like best? Least?
  4. Interview people who live inside your region: What do they love about their home? What do they like least? What makes them proud? Ashamed?
  5. People-watch: Go to a park or restaurant and eavesdrop (politely). What colloquialisms do you hear? What do the people look like? How do they dress? How do they interact? Here in the South, it’s polite to smile and say “hey” to strangers, but folks in the north eye me suspiciously when I do that.
  6. Research: Read about your town or region. Someone else’s outlook can help you view the familiar through different eyes. One of my favorite authors is Rick Bragg who writes about the South with humor, beauty, and true love.

Bragg’s time in New York gave him a fresh perspective, and my trip to Seattle did the same for me.

When our vacation ended that August, we left the cool, invigorating air of Washington and felt the full force of the Georgia summer upon our return. We landed in Atlanta in the middle of a heat wave, which is saying something. The temperature was over 90°F — at midnight. The sliding doors opened to the Hartsfield-Jackson parking deck, and I can still remember how we groaned when we stepped outside. It was as if we’d hit an almost-solid wall of heat and humidity.

But I’ll take the heat. Like your well-meaning Aunt Martha, who makes the best banana pudding in the world but also makes a habit of buttin’ into everybody’s business, you take the good with the bad. Love, for a person or a place, covers a multitude of sins.

Thanks for reading, y’all.

 

 

 

 

 

Empty Drawers and Creativity

 

Help! I’m drowning…

clothes rack
Photo by Daian Gan on Pexels.com

I have no empty drawers in my house. No empty shelves. No empty closets.

I have too many things. Am I materialistic? As a typical American, the answer is probably yes.

The myriad knickknacks, magazines, and (dare I say it?) even books are suffocating me.

Batteries, business cards, binoculars…

Clothes, candles, cords…so many electrical cords…

Half-dead plants, pencils, papers. An astounding number of papers.

I try to ignore the stacks of stuff when I walk into my den. And my bedroom. And my kitchen. But they dance mockingly in my peripheral vision. The clutter taunts me.

I can ignore a messy room. Until I can’t. Some people have a tipping point. I skip straight to the exploding point. I MUST get rid of some clutter NOW.

Don’t Mess with Creativity

They say that messy people are more creative. That working in a messy environment encourages new ideas. But can it be too messy? Can you have too much of a good bad thing? You know, the Law of Diminishing Returns and all that.

I can’t create while seeing the clutter and knowing that I should be doing something about it — instead of writing.

So, to help my writing — and to help the people I live with and whom I love so much — I will aspire to own fewer things. My new motto? Possess Less.

I will accomplish my goal one junk drawer at a time.

Little steps.

Little steps.

It’s hard to take little steps while you’re exploding.

 

 

 

 

 

It’s Hard to be Real

As much as I want to be authentic, I fall short.

It’s not usually intentional, trying to be someone I’m not. It’s subconscious.

Sometimes, I glimpse those fake personas in my heart. Like floaters that come and go, they drift into my line of sight when I’m not looking for them. The more I try to focus on them, the more they elude me.

“Many poets are not poets for the same reason that many religious men are not saints: they never succeed in being themselves. They never get around to being the particular poet or the particular monk they are intended to be by God. They never become the man or the artist who is called for by all the circumstances of their individual lives. They waste their years in vain efforts to be some other poet, some other saint…They wear out their minds and bodies in a hopeless endeavor to have somebody else’s experiences or write somebody else’s poems.”

from New Seeds of Contemplation by Thomas Merton

 

1950's velveteen rabbit

I spent years trying not to be an introvert. Years pushing myself to be extroverted and to run as fast as the next person. But I couldn’t keep up. And I undervalued my true nature.

I spent years denying my high sensitivity. Years pretending I could do ANYTHING by  relying on my own strength. By pushing. Turns out it wasn’t enough. When I gave up, I discovered I only needed strength to do what God had called ME to do. Not what everyone else was called to do. It was freeing. And humbling.

Worse yet, I’ve refused to admit to myself my darker feelings — envy, insecurity, bitterness — even as I plastered on a sweet-as-pie smile. Whew. (Of course, that’s not an exhaustive list of my faults.)

Why is it so hard to be real? Any thoughts?

A Comic Book about the Artist’s Mindset

brick by brick cover

Creating is hard.  So is trudging through the Sahara without a canteen. If you’re in need of a cool drink, pick up a copy of Cartoonist Stephen McCranie’s book, Brick by Brick: Principles for Achieving Artistic Mastery.

Beautiful and wise, Brick by Brick has taught me about the creative mindset in a way few other books have. It’s packed full of insight and whimsical artwork drawn in soft shades of peach, brown, and aqua.

The title comes from the idea that a tower is built one brick at a time. “That means your measure for success is not how tall your tower is, but whether or not you’ve laid your bricks for the day” (p. 16).

In the introduction, McCranie says the comic essays stemmed from what he’d learned in his first two years as a professional cartoonist. He realized his experience might help other artists, but rather than tell artists how to create, this would be a “book about how to be a creator.” More than a “how to” manual, it’s a “how to be” book.

The comic format, a harmony of illustration and prose, grabs me in a way other books on the creative process have not. It’s written with honesty about his own failures, his struggles with self-doubt, and the principles that got him on the right track.

With a hearty dash of humor (I love his “deadlinosaurus rex”), he warns us to set realistic goals, break them down into small steps, and plan “backwards so you can live forwards” (p. 29). He offers tips to improve your craft and stay motivated while avoiding potholes along the journey.

The most helpful chapter for me (though it’s difficult to choose just one) is “You Are Not Your Art” – a pep talk for anyone who has invested too much of their identity in their creative pursuit.

“Hug the Elephant” is an insightful peek into the nature of beauty. “Practice Doesn’t Make Perfect” explores how to improve your skill by studying the experts in your field, and he gives tips to learn through imitation.

Other section titles include:

  • “Turn Your Pain into Plans”
  • “Planning for the Possible”
  • “Two Fallacies to Watch Out For”
  • “Taste is your Teacher”
  • “Be Friends with Failure”
  • “Know Your Artistic Lineage”
  • “Diversify Your Study”
  • “Get Stuff Done”
  • “Fun Gets Done”
  • “Divide and Conquer”

When I flip the last page of the “Conclusion,” my vision is sharper, and I’m motivated to follow McCranie’s advice: “Go outside and look for dragons.” Creatives of all types will find Brick by Brick amusing and inspiring.

Writers, artists, dreamers, read this book. It’s nothing short of powerful. You can buy it on Amazon or on McCranie’s website doodlealley.com where you’ll find more resources and see a sample of his drawing style.

Update: Yesterday, I received a copy of McCranie’s newest book, Space Boy. If it’s half as honest and uplifting as Brick by Brick, it will be well worth the read.

Bee’s Knees, and Other Swell Expressions

I woke up this morning in a contemplative mood. I was pondering grief, death, and the etymology of the phrase bee’s knees.

What in tarnation does it mean? Do bees have knees?

pexels-photo-460961.jpeg

I was certain this expression, which means “fantastic, supreme,” must be an Americanism from the 1920’s, a renaissance for slang.

Fiddlesticks! According to language specialist Matthew Male at Future Perfect, it isn’t American at all. The term derives from Shakespeare’s Macbeth.   

” . . . that but this blow/Might be the be-all and the end-all. . . ”  (I.vii.4ff)

The phrase “be-all and end-all” became a popular saying. It was so familiar that people shortened it to “the B’s and E’s.”

“B’s and E’s.” Say that five times really fast. What does it sound like? Right ho! There you have it.

That brings me to swell. Dictionary.com says it was first used to mean “good, excellent” in 1897, much earlier than I thought:

“The riverboat was swell!” said the dapper gentleman in the white, straw hat.

Later, in 1930, it emerged as a stand-alone interjection:

Joe asked, “How was the grammar lecture?”

“Swell!” George said, beaming.

A synonym of swell, and one I’ve also wondered about, is hunky-dory. According to phrases.org.uk, the first record of this expression is from an American (with possible Irish influence) song. Again, it did not originate in the Roaring 20’s but much earlier: 1862. Here are the lyrics which I quote from the website:

Hunkey Dorey

One of the boys am I,
That always am in clover;
With spirits light and high,
‘Tis well I’m known all over.
I am always to be found,
A singing in my glory;
With your smiling faces round,
‘Tis then I’m hunkey dorey. 

And on that note, I will sign-off, hoping your day is the bee’s knees.